Intellect is delighted to announce that the new issue of the Journal of Italian Cinema & Media Studies (5.3) is now available.
Articles within this issue include (partial list):
Authors: Ramsey McGlazer
Page Start: 305
This essay analyses Italian director Alice Rohrwacher’s Corpo celeste (2011) and Argentinean filmmaker Lucrecia Martel’s La ciénaga (2001) and considers the relation between the two films. Attending to the films’ shared interest in ‘miracles’ that are as minor and apparently inconsequential as they are elusive, I show that such miracles, reminiscent of others in recent critical theory, figure in both films as means of exiting or altering a present that otherwise appears foreclosed. Miracles become means of restoring what Gilles Deleuze calls ‘belief in the world’, however minimally. In this way, both Corpo celeste and La ciénaga point to the continued salience of Deleuze’s account in Cinema 2 of suspended action and subsequent ‘learning to see’. But both films also foreground, differently and in ways that Deleuze could not have foreseen, the difficulties of such learning in contexts of impasse, economic crisis, austerity and abandonment.
Authors: Paolo Palma
Page Start: 333
The article explores some recurring features found in Pathé’s Italian-French co-productions in the 1950s and 1960s, addressing this corpus of films as a representative sample of the larger co-production trends between the two countries in the period under discussion. The analysis is based on the examination of unpublished documents as well as press material from the archives of the Fondation Seydoux-Pathé (Seydoux-Pathé Foundation) and the Cinémathèque française (French Film Library). As the article evidences, co-productions served as a powerful instrument of transnational cultural exchange, modern marketing practices, and the rethinking and revisiting of country-specific genres. They also paved the way for the exportation and popularization of Italian actors, directors and cinematic style across France. Great attention is paid to how the French specialist and popular press received such co-productions, whether the films’ dual nationality affected their reception and to what extent co-productions contributed to the image of Italian cinema in post-war France.
Authors: Nicholetta Mandolini
Page Start: 357
The concept of feminicide (‘femminicidio’) has been recently introduced to the Italian socio-political context and since 2012 a prolific theoretical debate on the topic has begun, both on traditional media and on the Internet. This article aims at analysing the current online discussion on feminicide and, in particular, the synergy of dialogue and activism which has appeared within the domain of feminist blogs. Drawing from the theoretical and methodological framework of Foucauldian Critical Discourse Analysis (FCDA), my objective is to investigate the bloggers’ ability to promote existing theories on sexist murders for a larger readership (popularization) and to redefine the notion of feminicide with new socially relevant meanings capable of extending the discursive perimeter of existing feminist theories on the phenomenon (politicization).