PSi Fluid States 2015 Tohoku, Japan: Beyond Contamination

PSi 2015 project: Fluid States –  Performances of unKnowing: 
Tohoku, Japan
Beyond Contamination: Corporeality, Spirituality, and Pilgrimage in Northern Japan
CALL FOR PRESENTATIONS
Deadline: November 30, 2014
Call for presentation details: http://psi21.portfolio-butoh.jp/cfp/
We are pleased to announce our CFP for PSi Fluid States 2015 in Tohoku, Japan. Our northern Japan event will be the tenth island/cluster in the year-long Fluid States chain of events. Please see www.fluidstates.org/ website for details on the sequence of local events and conferences around the planet earth. The Tohoku, Japan event is curated by Hayato Kosuge (Director), Katherine Mezur, Takashi Morishita, Peter Eckersall, and Yu Homma.
Beyond Contamination: Corporeality, Spirituality, and Pilgrimage in Northern Japan
Tohoku is a “fluid” site. It is the northern region of Japan, which lies between the Sea of Japan and the Pacific Ocean. It is also a site of pilgrimages to Mt. Osore, which is located on a far North Eastern peninsula and known as a place of passage between life and death. Our event focuses on this “between states” of crisis and passage. Among the questions we wish to address are: What is the relationship of specific geographies to the identity of a nation? How do certain regions become marked by strange or otherworldly qualities? How do these myths of place contribute to the expansive history of a nation and the local history of the inhabitants? What happens to the cultural ecology of a place when it is irreparably devastated and indefinitely quarantined? When disasters strike, whether slowly or suddenly, human induced or nature driven, what are the ways we deal with the immediate and long-term repair and change? What role have the arts played in this and other fluid states of crisis and recovery?
Following the March 11, 2011 earthquake, tsunami, and nuclear melt down, Tohoku experienced increased economic hardships, which added to its spiritual burden of being a place of aversion. At the same time, the commitment of the local population to recovery has gained increasing momentum. The concept “Beyond Contamination” in our title is pivotal to many aspects of our gathering. Our themes of corporeality, spirituality, and pilgrimage interact in many ways with traditional and contemporary ideas of contamination and its memorialization in Japan and elsewhere.
While our location near the city of Aomori is not directly linked to the Fukushima nuclear disaster, we are aware of its proximity to the triple disaster, not to mention Aomori’s own nuclear plants, and its own eccentric reputation. It is a perfect site for our conference event for many reasons. Among our related topics, we are interested in investigating place-based crisis cultures, locally and globally. In what ways does local geography and its memorialized histories become part of national consciousness? In what ways does disaster, human-made or otherwise, shift values and needs in the moment and over time? How do these shifts change our ways of being in that place and in the world? How do artists respond to large-scale disaster and its aftermath? What can art making do in the continuing crisis of disaster? How do national enterprises use or abuse the arts in times of devastation?
On an individual level, how does memory act on the devastating event? What are the workings of memory and event? How can we create art that questions, moving us deeper into the event and allowing us perspective and critical distance? Memory, place, ancestors, actions all form a woven fabric of the event: How are these things sometimes contaminated and in need of renewal? What can be “beyond” disaster, difficulty, and/or the weight of time and place?
Tohoku is also the birthplace of butoh dancer Hijikata Tatsumi and avant-garde playwright and director, Terayama Shuji. Both artists dealt directly with states of crisis and critical re-imagination of Japan. Our host institution, Keio University Art Center is the repository for the Hijikata Archive and our conference host site, Aomori Art Museum, holds a collection of Terayama’s art works as well as artifacts of the ancient Jomon culture of Japan.
We encourage researchers and performers to engage in discussions and interventions around the key working group themes of:corporeality, performance, pilgrimage, and place. This conference will afford us the opportunity to sound out and struggle with the borderlines between the extraordinary and the everyday, and how the arts in times of critical upheavals deal with political and spiritual crises.
Format of Conference
Our conference will begin with a group pilgrimage to Mt. Osore, with all other events at the Aomori Art Museum. Our call for presentations includes participation in panels and working groups. We will focus on interaction and discussion in all forms of presentation. Please consider the following points:
·      You may apply for a panel and/or a working group.
·      If you are applying for a working group, please indicate you working group preference by ranking your choices, 1 through 4, with 1 being your first choice.
·      Each working group will have its own format, with shared papers and performative events. WGs will also present their key issues in the last roundtable of the entire conference. Please be aware that there are very few panel presentations and our working groups will accommodate more participants and forms of presentation.
·      We are especially interested in presentations that focus on our themes but expand their application to other local, global, and virtual sites.
·      English will be the main presentation language at our conference, but abstracts and elements of the program will be in English and Japanese. Discussion will be aided by some interpretation and translated abstracts.
How to Apply:
You may apply for both panel and working groups. While we will try to accommodate your indicated rankings in the working groups, we may suggest other contexts for your work. Please read the working group abstracts (attached here and on the Tohoku, Japan link on the Fluid States website).
 
If you choose the option of panel presentation only and you are not chosen for a panel, you may be invited to join a working group. We encourage abstracts which relate directly to our themes. We hope to assemble panel and working group presentations into publications in the future.
Application form
Please fill in the application form at: http://psi21.portfolio-butoh.jp/cfp/
* If the application form doesn’t work, please send your application to cfp@psi21.portfolio-butoh.jp with the following information.
 
1.     Name and short biography
2.     I am submitting this abstract for consideration for:
_____Panel
_____Working Group
3.     Working group (number in order of preference, see working group descriptions)
__ Corporeality (curated by Katherine Mezur)
__ Performance (curated by Peter Eckersall)
__ Pilgrimage (curated by Stephen Barber)
__ Place (curated by Yasushi Nagata)
4.     Please include an abstract of between 250 and 300 words
Contact / Enquiry
PSi 2015 TOHOKU Office
Keio University Art Center
2-15-45, Mita, Minato-ku, Tokyo, 108-8345, Japan