OUT NOW: Performance Philosophy Vol 2, No 2 (2017)
We are delighted to announce that Vol 2.2 of the online journal, Performance Philosophy, has now been published.
The issue includes our Editorial composed out of replies to our open call for 1 sentence responses to the inauguration of T****.
The editors would be grateful for your support in sharing the Editorial, and indeed the links to the journal as a whole, to interested friends and colleagues, including those outside of academia.
Performance Philosophy is an emerging interdisciplinary field of thought, creative practice and scholarship. As an international, peer-reviewed, open access journal, Performance Philosophy publishes articles that interrogate what this field might be and what might be possible within it.
Laura Cull Ó Maoilearca
Performance Philosophy Vol 2, No 2 (2017)
Table of Contents
Laura Cull Ó Maoilearca, Kélina Gotman, Eve Katsouraki, Theron Schmidt
|Fabric Philosophy: The “Texture” of Theatricality and Performativity
|“Any Search for an Origin is Hysterical”: Summoning the Ghost of J.L. Austin
|Disjointed Confessions: Adikia and Radical Deradicalization in Schlingensief’s Hamlet
Janus C. Currie
|Rhythm and Structure: Brecht’s Antigone in performance
Bruno C. Duarte
|Caesura of History: Performing Greek Tragedy after Brecht
|Embodiment as First Affordance: Tinkering, Tuning, Tracking
|A thought of performance
|Attempts on (writing) her life: ethics and ontology in pro-feminist playwriting.
Kai Roland Green
|Performance Philosophy: audience participation and responsibility
|Silent waves: On silence, Singapore, and Jacques Rancière
|Running, Resistance, and Recollection: A conversation with ourselves through time
Katye Coe, Hetty Blades
|Philosophy as Verse-Performance: five poems and a formalist prospectus
Dr. Laura Cull Ó Maoilearca
Reader in Theatre & Performance
Director, Centre for Performance Philosophy
Department of Acting and Performance, GSA
University of Surrey